Polaroid Impulse Yellow

Recommend this radio to all anonymous writers like me and most of all to those not in the habit of writing.

also to all lovers of literature, or people who simply enjoy listening to smart people talking about interesting topics of culture, without to be pretentious.

Planetarium, was the name of this program of Radio El Espectador 810 AM led by writer and journalist Alejandro Ferreiro.

was a program that was based on a talk free, relaxed, calm, the journalist hand in hand with the guest, back in 2005, more or less.

post some interviews with some very interesting writers:

- Alejandro Dolina
http://www.megaupload.com/?d=0TVVFOEL

- Mario Delgado Aparaín

http://www.megaupload.com/?d=A4OBIGA2
- Felipe Polleri
http://www.megaupload.com/?d=2BV9L467


I highly recommend the interview with Philip Polleri Uruguayan writer, because it has a very interesting view of things, when talking about the other view, non-visible.

I add a piece of audio:

"Polleri - Look, I go out into the street, I have to do a procedure, which is me, I have to do something, laburar, make a note ... and I am very aware of how things are. At the same time there is another look. And there are days that there is only one eye, yet when I'm on my days kind ... always worth the clarification, I see things as they are.

While for me there, there, a world that is also real is the one in my books that I need there, because that is how I see it somehow.

not tell me that the world is what we all see, what is apparent. There is another world behind that, you can have to be exaggerated to be seen. But it is a literary invention, is a personal experience. If I were a literary invention not interest me at all.

to me sometimes I say, "We see this? No, not that I see them as well. My friends or my family or that the other thing. No, I see with my heart, I see beautiful.

But another look, and not so much concerning my loved ones, but the street and the street is important to me. On the street where I see it. And the only way I have to show it is capable ... I inadvertently say, I'm not thinking "here I am caricaturing reality", but I'm typing as it is.

Ferreiro - You think there is a process of exorcism of those things? Bone Exorziazás "that reality to write?

Polleri - Yeah, yeah yeah ...

Ferreiro - And while you create it and let it set.

Polleri - And while the left still, but I do well, say. If you you have another vision, parallel, well ... you have to say: What do I do with this? I live as a tragedy or able to do something aesthetic, that somehow that is bad is transformed into something positive. "

Ford Focus Saleen Specs

Kandinsky, Spirits

PIA


Spirits Portugal

I was watching this drama group from Portugal, the first time was in a shopping mall in the street 72, Granahorrar, arrived half an hour before knowing that being a play on the street and people were free to arrive early and would get a suitable location for viewing, the organizer arranged an elongated oval in the square facing the race 15, the provision of us was less than adequate but my companion stood to get a good view. 4:00 pm The

gave in my watch and did not even hint of this group so I looked to the side, where the show began and suddenly in the distance appeared a man on stilts and all white, broke directly to the oval racing to people who were in some geometrical figure denoting tension (as I explain below), behind the came another white character but this time range to see his clothes, in the case of the men had a kind of white shorts and his body painted entirely white, with a kind of stick with deformities but also white at the tips were covered with a rubber material.

Then came two more, a woman and a man, this was not on stilts, roamed around the oval, randomly stopping and breaking the provision and running from place to people who were sitting watching them, but my surprise is that at the end of this figure continued adapting to the environment until it left the oval and began to move people, causing them to follow but I did not say that's what this group to.

But I'm going to explain well, in my way and as I understood it, well the photos will help me a bit ... because everything I define as tension, the tension generated by the organizers to form an oval of spectators, as a geometric figure delineated by boundaries and this time for people, everything is framed in something everything is generated by a voltage, if there is no tension there are no limits and there is no figure and not be called anything at all, but there is also tension in the bodies of the actors their bodies reflect this in every way, moving very slowly as if each step measure him, but put your foot and stick pressure with a decision as if it was premeditated, as if it came before and test the waters.

Their movements are rhythmic and controlled but is the effort to give every move is contradictory at least to me, the tension in each step, the tension in their bodies, the tension in the audience undecided but this is waste when break with all this and begin to take over the whole environment with his act and break all established, either by law or by the idea that every spectator has in mind.

For me it was one of the best plays I saw, without diminishing the others but it is my understanding of what happened and it is my interpretation, at the end of the final accounts as it did not happen but as everyone remembers ...